In your second blog post, I would like you to explain the way Peter Brooks makes sense of the melodramatic mode as a way of locating and articulating the “moral occult”. I would like you to ground your discussion in Brooks’ text by including at least one quote you expand on (remember to refer to the page number). In order to clarify the way the moral occult operates in the melodrama, I would like you to briefly discuss one cinematic/literary example, which can be one of the examples we discussed in class, or something you noticed reading/watching something at home.

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